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Sirui 35mm T2.9 1.6x Carbon Fibre Full-frame Anamorphic E Mount lens, Blue Flare
Dramatic characteristics - Get that streaky flare and oval bokeh look anamorphic lenses are known for. 1.6x Squeeze factor - The 1.6x squeeze ratio will capture 1.6x the width of the focal length giving a truly widescreen cinematic experience. Full-Frame Ready - The image circle is large enough to cover full-frame cine cameras. Light and durable - The carbon fibre front barrel reduces the overall weight. Made for cinematographers - This lens has all the features needed for professional cine work. Upgrading? Check our offer for your old gear0% Finance
Limited Stock
£1,207.00
Sirui Nightwalker Series 35mm T1.2 S35 Manual Focus Cine Lens, Sony E Mount, Black
High performance - A must have for professional or aspiring filmmakers. Versatile perspective - 35mm on on the S35 Crop format offers an angle of view close to what the human eye can see. See in the dark - The super-bright T1.2 aperture makes it an excellent choice for low light shooting. Small in size - Despite the large T1.2 aperture, these S35 Nightwalker lenses are small and compact. Designed for video - The 270 degree focus throw and de-clicked aperture ring are some of the features videographers love. Upgrading? Check our offer for your old gear
Limited Stock
£327.00
Sirui Nightwalker Series 24mm T1.2 S35 Manual Focus Cine Lens, Sony E Mount, Black
High performance - A must have for professional or aspiring filmmakers. Versatile perspective - 24mm on on the S35 Crop format offers a mildly wide angle of view, perfect for taking in more of the environment. See in the dark - The super-bright T1.2 aperture makes it an excellent choice for low light shooting. Small in size - Despite the large T1.2 aperture, these S35 Nightwalker lenses are small and compact. Designed for video - The 270 degree focus throw and de-clicked aperture ring are some of the features videographers love. Upgrading? Check our offer for your old gear
Sirui Nightwalker Series 55mm T1.2 S35 Manual Focus Cine Lens, Sony E Mount, Black
High performance - A must have for professional or aspiring filmmakers. Versatile perspective - 55mm on on the S35 Crop format offers a tighter angle of view, great for documentaries and subject isolation. See in the dark - The super-bright T1.2 aperture makes it an excellent choice for low light shooting. Small in size - Despite the large T1.2 aperture, these S35 Nightwalker lenses are small and compact. Designed for video - The 270 degree focus throw and de-clicked aperture ring are some of the features videographers love. Upgrading? Check our offer for your old gear
Sirui EF-E Adapter, Manual Focus and Exposure
Box contains Adapter, pouch, Service Card, Warranty Card, Desiccant.
Sirui 50mm f1.8 Anamorphic lens 1.33x for Sony E
Creates cinematic effects - such as horizontal sci-fi reflections, impressive light effects and an oval bokeh. 33% wider field of view than conventional 50mm lenses. Shoot true widescreen films - in cinema friendly format 2.4:1. Ten aperture blades - to customize the light and optimise the depth of view within the 50mm focal length. Manufactured with high-quality German Schott optical glass lens elements. Upgrading? Check our offer for your old gear
Sirui 24mm f2.8 Anamorphic lens for Sony E
Light weight, ultra wide perspective - 2.4:1 ratio. Circular 8-blade aperture for beautiful defocus effects. Generate a smooth extensive background while highlighting the subject. Minimal focus distance just 0.6m. Anamorphic cinematic 1.33x lens with oval bokeh and blue light streak. Upgrading? Check our offer for your old gear
Sony E Mount Lenses For Sale
This lens fitting was launched with the original Sony NEX mirrorless camera in 2010. The lenses were described as E mount to distinguish them from the lenses for the Sony Alpha DSLRs which adopted the 'A mount' designation. The NEX used an APS-C sized sensor, slightly smaller than the full frame size of a 35mm SLR, and often referred to as a crop sensor. Because the sensor is smaller, then lenses can be smaller as well. A 50mm lens on a crop sensor camera produces the same image as a 75mm lens on a full-frame camera.
The full-frame mirrorless Alpha 7, was introduced three years later using the same lens mount but with a new range of lenses to cover the larger image area. An 'F' for full frame was added to the designation for these larger lenses.