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Canon Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens
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Product Description

Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like... read more

Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens 

The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like to shoot, and however you like to shoot it.

Intense sharpness from Dual Pixel CMOS AF II

Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision.

The freedom to shoot handheld

Shoot long exposures with biting sharpness, thanks to an 8-stop Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries.

Race ahead of the competition

Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps electronically, and up to 12fps mechanically. Capture the action before you press the button with Pre-shooting in RAW burst mode.

Hone your filmmaking

Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW. Focus-breathing correction and Detect-only AF make professional results easier than ever.

Extreme performance in extreme conditions

Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV.

  • Dual Pixel CMOS AF II: Intelligent subject detection and tracking, including Auto mode that detects the subject. 
  • 40fps electronic shutter: Capture microscopic moments in time at up to 40fps, with AE and AF tracking.
  • 12fps mechanical shutter
  • 30fps Pre-shooting burst mode with 0.5 sec Pre-shooting
  • Optical IS x In Body IS: Combining lens-based optical IS with in-body IS for up to 8 stops of stabilisation.
  • 24.2 megapixel sensor: An ideal balance of resolution, speed and low-light performance.
  • Full width oversampled 4K 60p
  • 6K RAW Capture using an external Atomos Ninja V+ recorder, via the camera’s clean HDMI output.
  • Full HD at 180p: Capture fast action in smooth slow motion.
  • H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs.
  • HDR: HDR PQ and HDR Movie.
  • Focus breathing correction: Pull focus like a pro, without distracting optical effects.
  • -6.5 EV AF performance: That’s less than the light from a half moon.
  • Max ISO 102,400 (extendable to 204,800)
  • 3.69M dot EVF: a high-resolution EVF that refreshes at 120fps.
  • Dual UHS-II SD card slots
  • Built in Wi-Fi and Bluetooth
  • RAW processing in the cloud

Advanced Dual Pixel CMOS AF II, with eye detection

The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios.

When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.

RAW burst mode

The EOS R6 Mark II also features a pre-shooting option as part of RAW burst mode, that captures the action 0.5 sec before the shutter-release button is pressed – a great advantage when shooting unpredictable subjects, from tennis players to toddlers.

RAW burst mode shoots continuously at 30fps for up to 191 frames (just over 6 sec using a high-speed card) and records all of the frames in a single RAW file, called a roll. This is recorded as a special CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.

‘Detect only’ option for Movie Servo AF

A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again.

Focus-breathing correction

The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Lenses currently supported, after firmware updates, are:

*      RF 14-35mm F4 L IS USM

*      RF 15-35mm F2.8 L IS USM

*      RF 24-70mm F2.8 L IS USM

*      RF 24-105mm F4 L IS USM

*      RF 70-200mm F2.8 L IS USM

*      RF 70-200mm F4 L IS USM

The RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update.

Full-frame 24.2-megapixel sensor

The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed.

 The new sensor is fast, powering 40fps continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing.

A digital teleconverter provides an instant in-camera 1.6x crop, taking you closer to the action at the press of a button and with your eye still at the viewfinder.

In-camera focus bracketing

When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame.

After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene.

This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need.

 Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera.

4K 60p full-width oversampled & 6K RAW

The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality.

Improved circuit designs are highly heat efficient, allowing longer recording times of up to 6 hours, depending on ambient temperature, memory card space and battery life.

For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card.

Movie pre-recording

When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment.

UVC support for webcam and live streaming

The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.

Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online.

False-colour indication

A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images.

Recording emphasis and Aspect marker

When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes.

More exposure modes when shooting video

When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control.

Multifunction shoe

The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes.

Advanced overheat management

The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused.

Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

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MPN: 5666C032

Barcode: 8714574672397

Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens Specification

Imaging
Lens MountCanon RF
Sensor ResolutionActual: 25.6 MegapixelEffective: 24.2 Megapixel (6000 x 4000)
Sensor Type35.9 x 23.9 mm (Full-Frame) CMOS
Image StabilizationSensor-Shift, 5-Axis
Built-In ND FilterNone
Capture TypeStills & Video
Exposure Control
Shutter TypeElectronic Shutter, Mechanical Focal Plane Shutter
Shutter SpeedMechanical Shutter1/8000 to 30 SecondsElectronic Shutter1/16000 to 30 Seconds
Bulb/Time ModeBulb Mode
ISO Sensitivity100 to 102,400 in Manual, Auto Mode (Extended: 50 to 204,800)
Metering MethodCenter-Weighted Average, Evaluative, Partial, Spot
Exposure ModesAperture Priority, Manual, Program, Shutter Priority
Exposure Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range-3 to 20 EV
White BalancePresets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous ShootingMechanical ShutterUp to 12 fps at 24 MP for up to 1000 Frames (JPEG) / 110 Frames (Raw)Electronic ShutterUp to 40 fps at 24 MP for up to 190 Frames (JPEG) / 75 Frames (Raw)
Interval RecordingYes
Self-Timer2/10-Second Delay
Still Image Capture
Aspect Ratio1:1, 3:2, 4:3, 16:9
Image File FormatC-RAW, HEIF, JPEG
Bit Depth14-Bit
Video Capture
Internal Recording ModesH.264/H.265/MPEG-4 4:2:2 10-BitUHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94 fps [60 to 340 Mb/s]1920 x 1080 at 23.98/25/29.97/50/59.94/100/119.88/150/179.82 fps [12 to 270 Mb/s]
External Recording ModesRaw via HDMI6144 x 4032 up to 59.94 fps
Gamma CurveCanon Log 3, HDR-PQ
Recording LimitNone
IP StreamingYes
Built-In Microphone TypeStereo
Audio RecordingLPCM AudioAAC Audio
Interface
Media/Memory Card SlotDual Slot: SD/SDHC/SDXC (UHS-II)
Video I/O1 x Micro-HDMI Output
Audio I/O1 x 3.5 mm TRS Stereo Microphone Output on Camera Body1 x 3.5 mm TRS Stereo Headphone Input on Camera Body
Power I/O1 x USB-C Input
Other I/O1 x USB-C (USB 3.2 / 3.1 Gen 2) Data/Tether Input/Output (Shared with Power Input)
Wireless2.4 / 5 GHz Wi-Fi 5 (802.11ac) ControlBluetooth
Global Positioning (GPS, GLONASS, etc.)None
Monitor
Size3.0 inches
Resolution1,620,000 Dot
Display TypeArticulating Touchscreen LCD
Viewfinder
TypeBuilt-In Electronic (OLED)
Size0.5 inches
Resolution3,690,000 Dot
Eye Point23 mm
Coverage100%
MagnificationApprox. 0.76x
Diopter Adjustment-4 to +2
Focus
Focus TypeAuto and Manual Focus
Focus ModeContinuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus PointsPhoto, VideoContrast Detection, Phase Detection: 1053
Autofocus Sensitivity-6.5 to +21 EV
Flash
Built-In FlashNo
Maximum Sync Speed1/250 Second
Flash Compensation-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash SystemeTTL
External Flash ConnectionIntelligent Hot Shoe
General
Battery Type1 x LP-E6NH Rechargeable Lithium-Ion, 7.2 VDC, 2130 mAh (Approx. 760 Shots)
Tripod Mounting Thread1 x 1/4 inch female thread
Dimensions (W x H x D)138.4 x 98.4 x 88.4 mm
Weight588 g (With Battery, Recording Media)
 

Canon RF 24-105mm F/4 L IS USM Lens Specs

Focal Length24 to 105mm
Maximum Aperturef/4
Minimum Aperturef/22
Lens MountCanon RF
Lens Format CoverageFull-Frame
Angle of View84 to 23 degrees 
Minimum Focus Distance45 cm
Maximum Magnification0.24x
Optical Design18 Elements in 14 Groups
Diaphragm Blades9, Rounded
Focus TypeAutofocus
Image StabilizationYes
Filter Size77 mm (Front)
Dimensions (ø x L)83.5 x 107.3 mm
Length at Maximum Extension151 mm
Weight 700 g

What's in the Box?

  • Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens
  • Battery Pack LP-E6NH
  • Battery Charger LC-E6
  • Body Cap
  • Back Cap
  • Front Lens Cap
  • Strap

MPN: 5666C032

Barcode: 8714574672397

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Customer Reviews

By MartynDenning on 26th August 2024
"Fantastic camera and brilliant service from Castle Cameras from order to well packaged delivery "
Star Rating 5
By JanisKay on 10th August 2024
"It's a brilliant piece of kit and I am excited to use all the features. It will take me a while but I am already getting some lovely pictures."
Star Rating 5
By chriscplarchitecturecom on 10th June 2023
"Excellent so far - its a whole lot better photographer than I am....!"
Star Rating 5

Canon EOS R6 Mark II Mirrorless Camera with RF 24-105mm F4L IS USM lens

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Product Summary

  • Dual Pixel CMOS AF II  - Intelligent subject detection and tracking with Auto mode that detects the subject.  
  • 40fps electronic shutter with Auto Subject Tracking - 30fps pre-shooting burst mode for half a second.  
  • 24.2mp sensor plus combined Optical and In-body IS - up to 8 stops of stabilisation.  
  • Full width oversampled 4K 60p Video - 6K RAW Capture using an external recorder.  
  • Focus breathing correction - Pull focus like a pro, without distracting optical effects.  
  • Up to 37 hours battery life.  
  • Upgrading? Check our offer for your old gear

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